Max Bruch, Michael Rabin, RIAS-Symphonie-Orchester, Thomas Schippers's 'Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico - Presto - Live' came out on May 15, 2009. Since Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico - Presto - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Michael Rabin, Lothar Broddack, RIAS-Symphonie-Orchester, Thomas Schippers's "Michael Rabin plays Bruch's Violin Concerto and Virtuoso Pieces for Violin and Piano (Live) [RIAS recordings from 1962/1969]" album is number 4 out of 12. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico - Presto - Live's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico - Presto - Live by Max Bruch, Michael Rabin, RIAS-Symphonie-Orchester, Thomas Schippers to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
4 Impromptus, Op. 90, D.899: No. 4 in A Flat Major: Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 125 BPM | ||
Kreisler: Schön Rosmarin | Fritz Kreisler, Itzhak Perlman | G Major | 2 | 9B | 117 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 3. Menuet | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 86 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Minor | 2 | 4A | 172 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Piano Concerto No.2 in G Major, Op. 44: I. Allegro billante | Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson | D Major | 2 | 10B | 94 BPM |