Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia's 'Die Puppenfee (The Fairy Doll): No. 5 Moderato' came out on June 7, 2004. With Die Puppenfee (The Fairy Doll): No. 5 Moderato being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 35 in Bayer: Fairy Doll (The) (Complete Ballet) by Josef Bayer. In terms of popularity, Die Puppenfee (The Fairy Doll): No. 5 Moderato is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Die Puppenfee (The Fairy Doll): No. 5 Moderato by Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Act I: Pas De Caractere (Street Dancer & Torero Espada) (Minkus) | Mariinsky Orchestra | C Major | 4 | 8B | 142 BPM | ||
Paquita: Coda: Allegro con fuoco | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 140 BPM | ||
Don Quixote: Act I: Espada | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | B♭ Major | 1 | 6B | 183 BPM | ||
Henry VIII: Gigue et finale | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | C Minor | 1 | 5A | 150 BPM | ||
Hungarian Dance No. 19 in B Minor, WoO 1 (Orch. Dvorák) | Johannes Brahms, NDR Elbphilharmonie Orchester, John Eliot Gardiner | B Minor | 3 | 10A | 150 BPM | ||
Walpurgis Night. Ballet music from Faust Bacchante and Bacchus | Victor Fedotov, Academic Symphony Orchestra Of The St. Petersburg Philharmonic | E♭ Major | 1 | 5B | 140 BPM | ||
Zerline, S. 42, Airs de ballet (Excerpts): Le carnaval de Palerme | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 3 | 7B | 112 BPM | ||
Le Corsaire: Act III - "7. Le Jardin Anime: Medora" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | B♭ Major | 1 | 6B | 85 BPM | ||
Le Corsaire: Act II - "5. Grand Pas: Variation: Medora" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | F Major | 0 | 7B | 77 BPM |