Pyotr Ilyich Tchaikovsky, New York Philharmonic, Vladimir Horowitz, Bruno Walter made "Concerto for Piano and Orchestra No. 1 in B-Flat Minor, Op. 23: Iii. Alegro con fuoco" available on July 23, 2021. Concerto for Piano and Orchestra No. 1 in B-Flat Minor, Op. 23: Iii. Alegro con fuoco is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. This song is part of Vladimir Horowitz and Bruno Walter two legendary live concertos by Concertgebouw Amsterdam, New York Philharmonic, Vladimir Horowitz, Bruno Walter. The song's track number on the album is #7 out of 7 tracks. Based on our data, United States was the country where this track was produced or recorded. Concerto for Piano and Orchestra No. 1 in B-Flat Minor, Op. 23: Iii. Alegro con fuoco is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Concerto for Piano and Orchestra No. 1 in B-Flat Minor, Op. 23: Iii. Alegro con fuoco by Pyotr Ilyich Tchaikovsky, New York Philharmonic, Vladimir Horowitz, Bruno Walter has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto for Piano and Orchestra No. 1 in B-Flat Minor, Op. 23: Iii. Alegro con fuoco being at 77 テンポ, the half-time would be 38 テンポ with a double-time of 154 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Overture "A Midsummer Night's Dream", Op.21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | ||
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM |