Felix Mendelssohn, Daniel Barenboim's 'Lieder ohne Worte, Op.30: No. 3. Andante sostenuto in E, MWV U 104 - "Consolation"' came out on January 1, 1974. The duration of Lieder ohne Worte, Op.30: No. 3. Andante sostenuto in E, MWV U 104 - "Consolation" is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Lieder ohne Worte, Op.30: No. 3. Andante sostenuto in E, MWV U 104 - "Consolation"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Daniel Barenboim's "Mendelssohn: Songs without Words" album is number 9 out of 58. In terms of popularity, Lieder ohne Worte, Op.30: No. 3. Andante sostenuto in E, MWV U 104 - "Consolation" is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lieder ohne Worte, Op.30: No. 3. Andante sostenuto in E, MWV U 104 - "Consolation" by Felix Mendelssohn, Daniel Barenboim to be Andante (at a walking pace) because the track has a tempo of 108 テンポ, a half-time of 54テンポ, and a double-time of 216 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Symphony No. 5 in C-Sharp Minor: I. Trauermarsch | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Minor | 1 | 12A | 122 BPM | ||
Piano Sonata No. 6 in A Major, Op. 82: III. Tempo di valzer lentissimo | Sergei Prokofiev, Ivo Pogorelich | D♭ Major | 0 | 3B | 66 BPM | ||
6 Favoritwalzer: No. 4, J. 146 | Carl Maria von Weber, Michael Endres | A Major | 1 | 11B | 138 BPM | ||
Piano Sonata No.3 in F sharp minor, Op.23: 3. Andante | Alexander Scriabin, Vladimir Ashkenazy | B Major | 0 | 1B | 67 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Mendelssohn: Rondo capriccioso in E Major, Op. 14 | Felix Mendelssohn, Doomin Kim | E Minor | 1 | 9A | 163 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 4. Moderato | Franz Schubert, Alfred Brendel | D♭ Minor | 0 | 12A | 78 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Mozart: Piano Concerto No. 20 in D Minor, K. 466: II. Romance | Wolfgang Amadeus Mozart, Daniel Barenboim, Berliner Philharmoniker | E♭ Major | 1 | 5B | 151 BPM | ||
Lieder ohne Worte, Op. 67: No. 2. Allegro leggiero in F Sharp Minor, MWV U 145 - "Lost Illusions" | Felix Mendelssohn, Daniel Barenboim | F♯ Minor | 1 | 11A | 180 BPM |