Wolfgang Amadeus Mozart, WDR Sinfonieorchester Köln, Eivind Aadland's 'Clarinet Concerto in A Major, K. 622: II. Adagio' came out on 2013. Since Clarinet Concerto in A Major, K. 622: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, WDR Sinfonieorchester Köln, Karl-Heinz Steffens, Eivind Aadland's "Mozart (Bassoon and Clarinet Concertos)" album is number 5 out of 6. On top of that, Norway appears to be the country where this track was created. Based on our statistics, Clarinet Concerto in A Major, K. 622: II. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Clarinet Concerto in A Major, K. 622: II. Adagio by Wolfgang Amadeus Mozart, WDR Sinfonieorchester Köln, Eivind Aadland to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Rondo in A Major, KV 386 (Cadenzas by Ariel Lanyi) | Wolfgang Amadeus Mozart, Mozarteum Orchestra Salzburg, Howard Griffiths, Ariel Lanyi | A Major | 1 | 11B | 135 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM |