"Khovanshchina / Act V: "Gospod' spaset mja" - "I Gospod' moj, spaset mja " - Closing applause" by Modest Mussorgsky, Paata Burchuladze, Vladimir Atlantov, Marjana Lipovsek, Vienna State Opera Orchestra, Claudio Abbado, Vienna State Opera Chorus, Slovak Philharmonic Choir, Helmut Froschauer, Karl Kamper had its release date on January 1, 1990. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Modest Mussorgsky, Aage Haugland, Vladimir Atlantov, Vladimir Popov, Anatolij Kotscherga, Vienna State Opera Orchestra, Claudio Abbado's "Mussorgsky: Khovanshchina" album is number 10 out of 35. Khovanshchina / Act V: "Gospod' spaset mja" - "I Gospod' moj, spaset mja " - Closing applause is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Khovanshchina / Act V: "Gospod' spaset mja" - "I Gospod' moj, spaset mja " - Closing applause by Modest Mussorgsky, Paata Burchuladze, Vladimir Atlantov, Marjana Lipovsek, Vienna State Opera Orchestra, Claudio Abbado, Vienna State Opera Chorus, Slovak Philharmonic Choir, Helmut Froschauer, Karl Kamper to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
Night on Bald Mountain | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | D Major | 2 | 10B | 69 BPM | ||
Raymonda, Act I: Variation 3 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | G Major | 1 | 9B | 82 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM |