"Messe en l'honneur de Sainte Odile: Agnus Dei" by Guy Ropartz, Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal had its release date on March 10, 1999. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Ropartz : Messes Et Motets". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Hong Kong. Messe en l'honneur de Sainte Odile: Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messe en l'honneur de Sainte Odile: Agnus Dei by Guy Ropartz, Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
String Quartet No. 1 in G Major, Op. 58: II. Strimpellata. Mosso e spensierato | Mario Castelnuovo-Tedesco, Quartetto Adorno | A Major | 2 | 11B | 160 BPM | ||
Symphony No. 9 in D Major: II. Ländler: No. 4, A tempo II | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
3 Compositions, Op. 40: Berceuse (Version for cello and piano) | Amy Beach, Steven Isserlis, Stephen Hough | D Major | 0 | 10B | 72 BPM | ||
Schön Rosmarin | Fritz Kreisler, Michael Collins, Michael McHale | G Major | 1 | 9B | 104 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Märchenbilder, Op. 113: IV. Langsam | Robert Schumann, Alena Baeva, Vadym Kholodenko | D Major | 3 | 10B | 109 BPM | ||
Quatre poèmes d’après l’intermezzo d’Heinrich Heine: Postlude | Guy Ropartz, Heinrich Heine, Philippe Sly, Michael McMahon | F Major | 0 | 7B | 0 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation VI - L'istesso tempo | Sergei Rachmaninoff, Cameron Carpenter, Christoph Eschenbach | E Minor | 1 | 9A | 96 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM |