"Jeux d'enfants, Op. 22 WD 56 - Petite Suite: III. Impromptu: La toupie" by Georges Bizet, Royal Concertgebouw Orchestra, Bernard Haitink was released on January 1, 1986. With Jeux d'enfants, Op. 22 WD 56 - Petite Suite: III. Impromptu: La toupie being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 11 in Bizet: Symphony in C; Jeux d'enfants / Debussy: Danses for Harp by Georges Bizet, Bernard Haitink, Royal Concertgebouw Orchestra, Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Jeux d'enfants, Op. 22 WD 56 - Petite Suite: III. Impromptu: La toupie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jeux d'enfants, Op. 22 WD 56 - Petite Suite: III. Impromptu: La toupie by Georges Bizet, Royal Concertgebouw Orchestra, Bernard Haitink is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4, Op. 29 "The Inextinguishable": II. Poco allegretto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 0 | 8B | 77 BPM | ||
Symphony No. 4, Op. 29 "The Inextinguishable": III. Poco adagio quasi andante | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | D♭ Major | 3 | 3B | 95 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Glazunov: Symphony No. 3 in D Major, Op. 33: II. Scherzo. Vivace | Alexander Glazunov, José Serebrier, Royal Scottish National Orchestra | E♭ Major | 2 | 5B | 139 BPM | ||
Symphony No.7 in E Major, WAB 107: 4. Finale (Bewegt, doch nicht schnell) | Anton Bruckner, Concertgebouworkest, Bernard Haitink | B Major | 1 | 1B | 119 BPM | ||
Callirhoé, suite de ballet: IV. Pas des cymbales | Cécile Chaminade, Orchestre national de Metz Grand Est, David Reiland | G Major | 1 | 9B | 134 BPM | ||
Symphony in D Minor, FWV 48 (Remastered): II. Allegretto | César Franck, Pierre Monteux, Chicago Symphony Orchestra | E♭ Minor | 0 | 2A | 72 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Mariss Jansons | G Major | 1 | 9B | 132 BPM | ||
Masques et bergamasques Suite, Op. 112: III. Gavotte | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
Le docteur Miracle: Scene 4: Allons, tu as des connaissances tres variees (Le Podestat, Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | C Major | 1 | 8B | 133 BPM |