"Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 3, Allegro appassionato" by Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili was released on 2014. The duration of Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 3, Allegro appassionato is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 3, Allegro appassionato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 8 in Franck: Violin Sonata, FWV 8 - Dvořák: Romantic Pieces, Op. 75 by Khatia Buniatishvili, Renaud Capuçon, Antonín Dvořák, César Franck. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 3, Allegro appassionato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 3, Allegro appassionato by Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
Piano Sonata in E Minor, Op. 7: III. Alla Menuetto, ma poco piu lento | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 1 | 12B | 78 BPM | ||
Violin Concerto in C Major, RV 184: III. Allegro | Antonio Vivaldi, Roberto Baraldi, Accademia I Filarmonici, Alberto Martini | C Major | 2 | 8B | 117 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Bagatelles, Op. 47, B. 79: No. 4 in E Major, Canon. Andante con moto | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E Major | 1 | 12B | 135 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Debussy: Piano Trio in G Major, L. 5: IV. Finale - Appassionato | Claude Debussy, Bertrand Chamayou | F Minor | 2 | 4A | 109 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: II. Minuetto. Allegretto | Frédéric Chopin, Leif Ove Andsnes | E♭ Major | 0 | 5B | 148 BPM | ||
Concerto in F Major for Flute & Strings, Op. 10, No. 1, RV 433 "La tempesta di mare": 2. Largo | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 0 | 12B | 84 BPM | ||
Duport : Cello Concerto No.1 in G major : Romance | Jean-Louis Duport, Frédéric Lodéon, Jean-Pierre Wallez, Orchestre de chambre de Paris | C Major | 1 | 8B | 95 BPM |