"Swan Lake, Op. 20, TH 12 / Act II: No. 14 Scène (Moderato)" by Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa had its release date on January 1, 1979. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Swan Lake, Op. 20, TH 12 / Act II: No. 14 Scène (Moderato)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Tchaikovsky: Swan Lake Op.20". In this album, this song's track order is #4. In terms of popularity, Swan Lake, Op. 20, TH 12 / Act II: No. 14 Scène (Moderato) is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20, TH 12 / Act II: No. 14 Scène (Moderato) by Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Op. 57: Prélude et la Romanesca | Alexander Glazunov, Xavier De Maistre, Nathalie Stutzmann, WDR Sinfonieorchester | E Minor | 3 | 9A | 104 BPM | ||
Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper | B♭ Minor | 4 | 3A | 111 BPM | ||
Suite for Variety Orchestra: VII. Waltz No. 2 (Arr. F. Noack for Piano) | Dmitri Shostakovich, Francois Xavier Poizat | C Minor | 2 | 5A | 98 BPM | ||
Giselle: Andantino | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | A♭ Major | 0 | 4B | 117 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Romanza (Spanish Romance) | Anonimo Anonimo, Andrés Madariaga | E Minor | 1 | 9A | 113 BPM | ||
Nocturne No. 2 in D-Flat Major, Op. 2 | Joshua Kyan Aalampour | D♭ Major | 2 | 3B | 79 BPM | ||
Arietta | Edvard Grieg, Christopher Ferreira | E♭ Major | 0 | 5B | 142 BPM | ||
La Bayadere, Act II: 35. "Entrance and Variation - Nikiya" | Evergreen Symphony Orchestra, Kevin Galiè | B Minor | 0 | 10A | 129 BPM | ||
The Architect | Kerry Muzzey, The Chamber Orchestra Of London, Andrew Skeet | D Minor | 5 | 7A | 128 BPM |