"Le nozze di Figaro, K. 492: Atto Quarto: Contessa perdono (Il Conte, La Contessa, Susanna, Barbarina, Cherubino, Marcellina, Basilio, Antonio, Figaro)" by Wolfgang Amadeus Mozart, Teodor Currentzis, musicAeterna was released on February 14, 2014. The duration of Le nozze di Figaro, K. 492: Atto Quarto: Contessa perdono (Il Conte, La Contessa, Susanna, Barbarina, Cherubino, Marcellina, Basilio, Antonio, Figaro) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Le nozze di Figaro, K. 492: Atto Quarto: Contessa perdono (Il Conte, La Contessa, Susanna, Barbarina, Cherubino, Marcellina, Basilio, Antonio, Figaro)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Allman Brothers Band, Various Artists, Winifred Atwell, Rose Royce, Various Artists, Frank Zappa, Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner, Tangerine Dream, Franck Pourcel, Den Ny Radiotrio, Forsvarets Stabsmusikkorps, Wolfgang Amadeus Mozart, Teodor Currentzis, musicAeterna's "Mozart: Le nozze di Figaro, K. 492" album is number 18 out of 83. On top of that, United States appears to be the country where this track was created. Based on our statistics, Le nozze di Figaro, K. 492: Atto Quarto: Contessa perdono (Il Conte, La Contessa, Susanna, Barbarina, Cherubino, Marcellina, Basilio, Antonio, Figaro)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le nozze di Figaro, K. 492: Atto Quarto: Contessa perdono (Il Conte, La Contessa, Susanna, Barbarina, Cherubino, Marcellina, Basilio, Antonio, Figaro) by Wolfgang Amadeus Mozart, Teodor Currentzis, musicAeterna to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | ||
Turandot / Act 1: Non piangere Liù | Giacomo Puccini, Luciano Pavarotti, Montserrat Caballé, Nicolai Ghiaurov, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 4 | 2A | 111 BPM | ||
Don Giovanni, K. 527: Act II: Don Giovanni, a cenar teco (Andante: Il Commendatore, Don Giovanni, Leporello) | Wolfgang Amadeus Mozart, Teodor Currentzis | D Minor | 2 | 7A | 124 BPM | ||
Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 1 | 10B | 78 BPM | ||
Juditha Triumphans, RV 644: Armatae face | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | D♭ Major | 4 | 3B | 63 BPM | ||
Regina coeli laetare (Chorus) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | A Minor | 6 | 8A | 106 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, Musica Aeterna | B Minor | 1 | 10A | 100 BPM | ||
Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 0 | 1B | 98 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | F♯ Major | 0 | 2B | 103 BPM |