"Hebriden-Tänze, Op. 70: IV. Sehr ruhig" by Walter Braunfels, Tatjana Blome, Staatsphilharmonie Rheinland-Pfalz, Gregor Bühl was released on September 7, 2018. Hebriden-Tänze, Op. 70: IV. Sehr ruhig appears to be safe for all ages as it is not explicit. The song is number 12 out of 13 in Braunfels: Works for Piano & Orchestra by Walter Braunfels, Tatjana Blome, Staatsphilharmonie Rheinland-Pfalz, Gregor Bühl. Based on our statistics, Hebriden-Tänze, Op. 70: IV. Sehr ruhig's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hebriden-Tänze, Op. 70: IV. Sehr ruhig by Walter Braunfels, Tatjana Blome, Staatsphilharmonie Rheinland-Pfalz, Gregor Bühl is Allegro (fast, quick, and bright), since this song has a tempo of 133 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armida: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | D Major | 1 | 10B | 81 BPM | ||
Fountains of Rome, P. 106: II. The Triton Fountain in the Morning | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 1 | 8B | 66 BPM | ||
Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus) | Felix Mendelssohn, Simon Keenlyside, William Whitehead, Paul McCreesh, Gabrieli | B♭ Major | 2 | 6B | 72 BPM | ||
Hoffmanns Erzählungen (Les Contes d'Hoffmann): "Aus dem Keller kommt hervor, Geister des Weines!" | Jacques Offenbach, Orchester der Deutschen Oper Berlin, Richard Kraus, RIAS Kammerchor, Günther Arndt | C Major | 3 | 8B | 120 BPM | ||
Massenet: Don Quichotte, Act 2: Interlude | Jules Massenet, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Beethoven: Symphony No. 2 in D Major, Op. 36: I. (a) Adagio molto - | Ludwig van Beethoven, Wolfgang Sawallisch, Royal Concertgebouw Orchestra | D Major | 0 | 10B | 112 BPM | ||
Variations on an Old French Song for 2 Pianos, Op. 46: Var. 3, Più moderato | Walter Braunfels, Tatjana Blome, Holger Groschopp | G Minor | 1 | 6A | 71 BPM | ||
Große Messe, Op. 37: Offertorium | Walter Braunfels, Simone Schneider, Christian Elsner, Gerhild Romberger, Robert Holl, Philharmonischer Chor Berlin, Berliner Singakademie, Knabenchor des Staats- und Domchores Berlin, Heiko Holtmeier, Konzerthausorchester Berlin, Jörg-Peter Weigle | D Major | 1 | 10B | 78 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Vom edlen Geisterchor umgeben | Gustav Mahler, Leah Crocetto, Los Angeles Children's Chorus, National Children’s Chorus, Los Angeles Philharmonic, Gustavo Dudamel | B♭ Major | 2 | 6B | 70 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations VII & VIII | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | C Major | 0 | 8B | 96 BPM |