"Oblivion" by Astor Piazzolla, Ezequiel Cortabarría, José Maria Gallardo del Rey was released on March 1, 2019. With this song being about 5 minutes long, at 5:24, "Oblivion" by Astor Piazzolla, Ezequiel Cortabarría, José Maria Gallardo del Rey is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 50 Años No Es Nada, so we believe that "Oblivion" is a single. Oblivion is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Oblivion by Astor Piazzolla, Ezequiel Cortabarría, José Maria Gallardo del Rey is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristango | Astor Piazzolla | F Major | 4 | 7B | 98 BPM | ||
Lieder ohne Worte (Songs without Words), Book 7, Op. 85: Song without Words, Op. 85, No. 2 | Felix Mendelssohn, Gerald Garcia | E Minor | 2 | 9A | 64 BPM | ||
Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | G Minor | 0 | 6A | 170 BPM | ||
Vivaldi: Il Giustino, RV 717, Act 1: "Vedrò con mio diletto" (Anastasio) | Antonio Vivaldi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E♭ Major | 1 | 5B | 94 BPM | ||
Fuga y Misterio/Tangata | Sexteto Mayor | A Minor | 2 | 8A | 132 BPM | ||
Suite del Plata, No. 1: Preludio | Maximo Diego Pujol, Victor Villadangos | D Minor | 0 | 7A | 107 BPM | ||
L'Alouette | Grigoras Dinicu, Lakatos | A Major | 5 | 11B | 134 BPM | ||
Las abejas | Agustín Barrios Mangoré, Celil Refik Kaya | D Minor | 1 | 7A | 95 BPM | ||
Encantamiento (Seis Canciones de Cuna) | Carlos Guastavino, Marcela Roggeri, Florent Héau | D Minor | 0 | 7A | 81 BPM | ||
Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | A♭ Major | 0 | 4B | 59 BPM |