René Jacobs, Alan Curtis, Il Complesso Barocco's 'Handel: Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 3: Recitativo, "Godo, oh bella" (Trasimede, Antigona, Orindo)' came out on 1978. With Handel: Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 3: Recitativo, "Godo, oh bella" (Trasimede, Antigona, Orindo) being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in René Jacobs, Alan Curtis's "Handel - Admeto, re di Tessaglia" album is number 8 out of 75. Based on our statistics, Handel: Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 3: Recitativo, "Godo, oh bella" (Trasimede, Antigona, Orindo)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Handel: Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 3: Recitativo, "Godo, oh bella" (Trasimede, Antigona, Orindo) by René Jacobs, Alan Curtis, Il Complesso Barocco to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cypresses B.152: 2. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Minor | 1 | 4A | 89 BPM | ||
Handel: Oboe Concerto in B-Flat Major, HWV 301: I. Adagio - Allegro | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 2 | 6B | 108 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
La Calisto, Prologo: Sinfonia | Francesco Cavalli, René Jacobs, Concerto Vocale | F♯ Major | 1 | 2B | 108 BPM | ||
Brockes-Passion, TWV 5:1, I. Teil: 36. Rezitativ: Evangelist, Petrus, 1., 2. & 3. Magd. "Dies sahe Petrus an" / ... / 38. Rezitativ: Evangelist. "Drauf krähete der Hahn" | Georg Philipp Telemann, Brigitte Christensen, Akademie für Alte Musik Berlin, Lydia Teuscher, René Jacobs, Daniel Behle, Marie-Claude Chappuis, Donat Havar | E Minor | 1 | 9A | 110 BPM | ||
Maddalena ai piedi di Cristo: No. 14 Aria Amor Terreno "Fin che danzan le grazie sul viso" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | B Major | 3 | 1B | 88 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
Der Herbst: "Seht, wie zum Haselbusche dort" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel | C Major | 1 | 8B | 106 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E Major | 2 | 12B | 161 BPM | ||
La Calisto, Act I Scene 3: Sinfonia | Francesco Cavalli, René Jacobs, Concerto Vocale | A Major | 1 | 11B | 82 BPM |