"Le Desert: Der Ruf des Muezzins" by Félicien David, Bruno Lazzaretti, Chor der St. Hedwigs-Kathedrale Berlin, Berlin Radio Symphony Orchestra, Guido Maria Guida was released on January 1, 1997. The duration of Le Desert: Der Ruf des Muezzins is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Le Desert: Der Ruf des Muezzins's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists, Hanns-Martin Schneidt, Guido Maria Guida's "Melodies From 1001 Nights - Rimsky-Korsakov, N.A. / David, F. / Ravel, M. / Reyer, E." album is number 10 out of 15. On top of that, United States appears to be the country where this track was created. Le Desert: Der Ruf des Muezzins is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Desert: Der Ruf des Muezzins by Félicien David, Bruno Lazzaretti, Chor der St. Hedwigs-Kathedrale Berlin, Berlin Radio Symphony Orchestra, Guido Maria Guida to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Litanies à la Vierge noire, FP 82 | Francis Poulenc, Ensemble Aedes, Louis-Noël Bestion de Camboulas, Mathieu Romano | A Major | 1 | 11B | 81 BPM | ||
Massenet: Don Quichotte, Act 2: Interlude | Jules Massenet, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 2, Stehe still | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Mélodies persanes, Op. 26: No. 2, La Splendeur vide | Camille Saint-Saëns, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (g) Allegro ma non tanto. "Freude, Tochter aus Elysium!" - | Ludwig van Beethoven, Margaret Price, Marjana Lipovsek, Peter Seiffert, Jan-Hendrik Rootering, Chor Des Städtischen Musikvereins E. V. Düsseldorf, Wolfgang Sawallisch, Royal Concertgebouw Orchestra, Chor des Städtischen Musikvereins zu Düsseldorf | A Major | 1 | 11B | 75 BPM | ||
Evening Songs, Op. 3: No. 3, Já jsem ten rytíř | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Minor | 1 | 4A | 83 BPM | ||
Romance, Aquarelles Op.19 No.7 (Niels Gade) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 1: "Täubchen, das entflattert ist" (Alfred, Adele, Rosalinde) | Johann Strauss II, Plácido Domingo, Eva Lind, Lucia Popp, Das Münchner Rundfunkorchester | G Major | 1 | 9B | 49 BPM | ||
26 Welsh Songs, WoO 155: No. 25, The Parting Kiss | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM | ||
Lalla Roukh: Act II Scene 12: Marche et Final: Gloire, honneur (Chorus, Baskir, Lalla Roukh, Mirza, Noureddin) | Félicien David, Bernard Deletré, Marianne Fiset, Nathalie Paulin, Emiliano Gonzalez Toro, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | C Major | 2 | 8B | 107 BPM |