Mark Lortz, Wingert-Jones Chamber Orchestra, Larry Clark's 'Wild Stallions' came out on April 17, 2024. The duration of Wild Stallions is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Wild Stallions's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wingert-Jones Chamber Orchestra's "Music for String Orchestra, Opus 3" album is number 9 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Wild Stallions is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Wild Stallions by Mark Lortz, Wingert-Jones Chamber Orchestra, Larry Clark to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Singapore | Franck Dansaert | C Minor | 4 | 5A | 82 BPM | ||
Fourth Movement Moderato Maestoso | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 1 | 10B | 77 BPM | ||
Revolución diamantina, Act III: Borders and bodies | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | D Minor | 1 | 7A | 74 BPM | ||
Macbeth: The Favorite March in [Purcell’s] Bonduca | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 3 | 10B | 115 BPM | ||
AWAKE | D-Bastian | B♭ Major | 1 | 6B | 120 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 3 in F Major (orch. J. Brahms) | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F Major | 0 | 7B | 138 BPM | ||
Reisado do pastoreio: III. Batuque | Oscar Lorenzo Fernández, Minas Gerais Philharmonic Orchestra, Fabio Mechetti | F Major | 7 | 7B | 100 BPM | ||
La sirenita: 2. En la superficie | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 70 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM | ||
Rivulet of Truth | Danke Timi Briggs | G Minor | 2 | 6A | 121 BPM |