"Suite from Violin Partita in E Major, BWV 1006 (Arr. Rachmaninov): II. Gavotte" by Johann Sebastian Bach, Olga Kern, Sergei Rachmaninoff was released on 2004. The duration of Suite from Violin Partita in E Major, BWV 1006 (Arr. Rachmaninov): II. Gavotte is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Suite from Violin Partita in E Major, BWV 1006 (Arr. Rachmaninov): II. Gavotte's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Rachmaninov: Transcriptions; Corelli Variations". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Suite from Violin Partita in E Major, BWV 1006 (Arr. Rachmaninov): II. Gavotte's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Suite from Violin Partita in E Major, BWV 1006 (Arr. Rachmaninov): II. Gavotte by Johann Sebastian Bach, Olga Kern, Sergei Rachmaninoff having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Sonata No. 16 in B Flat Major, II. Adagio | Maria João Pires | E♭ Major | 0 | 5B | 96 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM |