On May 8, 2015, the song "Piano Concerto No. 3, Sz. 119: 1. Allegretto - Live At Kan-i Hoken Hall, Tokyo / 1985" was released by Béla Bartók, Keith Jarrett, New Japan Philharmonic Orchestra, Kazuyoshi Akiyama. Since Piano Concerto No. 3, Sz. 119: 1. Allegretto - Live At Kan-i Hoken Hall, Tokyo / 1985 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Samuel Barber: Piano Concerto, Op.38 / Béla Bartók: Piano Concerto No.3 / Keith Jarrett: Tokyo Encore (Live)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Piano Concerto No. 3, Sz. 119: 1. Allegretto - Live At Kan-i Hoken Hall, Tokyo / 1985 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Piano Concerto No. 3, Sz. 119: 1. Allegretto - Live At Kan-i Hoken Hall, Tokyo / 1985 by Béla Bartók, Keith Jarrett, New Japan Philharmonic Orchestra, Kazuyoshi Akiyama having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Out Doors, BB 89, Sz. 81 - Volume 2: 4. The Night's Music | Béla Bartók, Zoltán Kocsis | D Major | 2 | 10B | 147 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM |