"Matthäuspassion, BWV 244: Chorale: O Haupt voll Blut und Wunden (Chorus I and II)" by Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl was released on November 1, 2005. The duration of Matthäuspassion, BWV 244: Chorale: O Haupt voll Blut und Wunden (Chorus I and II) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Matthäuspassion, BWV 244: Chorale: O Haupt voll Blut und Wunden (Chorus I and II)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Matthäuspassion, BWV 244" album is number 2 out of 68. On top of that, Hong Kong appears to be the country where this track was created. Matthäuspassion, BWV 244: Chorale: O Haupt voll Blut und Wunden (Chorus I and II) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matthäuspassion, BWV 244: Chorale: O Haupt voll Blut und Wunden (Chorus I and II) by Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion: Zweiter Teil, 37. Choral Wer hat dich so geschlagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E Major | 2 | 12B | 80 BPM | ||
Alleluia: I. Evening | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 82 BPM | ||
Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Bach, JS: Cantata No. 170, "Vergnügte Ruh, beliebte Seelenlust", BWV 170: I. "Vergnügte Ruh, beliebte Seelenlust " | Johann Sebastian Bach, Philippe Jaroussky, Ann-Kathrin Bruggemann, Petra Mullejans, Freiburger Barockorchester | A♭ Major | 1 | 4B | 77 BPM | ||
Magnificat en sol mineur, RV 610: I. Magnificat | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 3 | 3B | 114 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | C Major | 3 | 8B | 103 BPM | ||
Ich steh mit einem Fuss im Grabe, BWV 156: Sinfonia | Johann Sebastian Bach, Rachel Nicholls, Robin Blaze, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | E Major | 0 | 12B | 115 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 1 | 5B | 124 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Schmücke Dich, O Liebe Seele, BWV 180: I. Schmücke Dich, O Liebe Seele (Chor) | Johann Sebastian Bach, Ensemble Baroque De Limoges, Concerto Vocale De Leipzig, Christophe Coin, Gotthold Schwarz | G Major | 2 | 9B | 85 BPM |