Matthäuspassion, BWV 244: Chorale: O Haupt voll Blut und Wunden (Chorus I and II)

Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl
J.S. Bach: Matthäuspassion, BWV 244
2:31 2005年11月1日
テンポ
65
キー
F Major
キャメロットミュージックキー
7B

リンクを埋め込む

共有

Matthäuspassion, BWV 244: Chorale: O Haupt voll Blut und Wunden (Chorus I and II) - Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl 情報

音響性
99%
ダンサビリティ
16%
エネルギー
7%
手段性
82%
活気
12%
ラウドネス
65%
話し言葉
6%
価数
8%
人気
ラウドネス
-20.805 dB

まとめ

"Matthäuspassion, BWV 244: Chorale: O Haupt voll Blut und Wunden (Chorus I and II)" by Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl was released on November 1, 2005. The duration of Matthäuspassion, BWV 244: Chorale: O Haupt voll Blut und Wunden (Chorus I and II) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Matthäuspassion, BWV 244: Chorale: O Haupt voll Blut und Wunden (Chorus I and II)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Matthäuspassion, BWV 244" album is number 2 out of 68. On top of that, Hong Kong appears to be the country where this track was created. Matthäuspassion, BWV 244: Chorale: O Haupt voll Blut und Wunden (Chorus I and II) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Matthäuspassion, BWV 244: Chorale: O Haupt voll Blut und Wunden (Chorus I and II) テンポ

We consider the tempo marking of Matthäuspassion, BWV 244: Chorale: O Haupt voll Blut und Wunden (Chorus I and II) by Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Matthäuspassion, BWV 244: Chorale: O Haupt voll Blut und Wunden (Chorus I and II) キー

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Matthäus-Passion: Zweiter Teil, 37. Choral Wer hat dich so geschlagen by Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René JacobsMatthäus-Passion: Zweiter Teil, 37. Choral Wer hat dich so geschlagenJohann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René JacobsE Major212B80 BPM
Alleluia: I. Evening by Valentin Silvestrov, Latvian Radio Choir, Sigvards KļavaAlleluia: I. EveningValentin Silvestrov, Latvian Radio Choir, Sigvards KļavaC Major08B82 BPM
Jesu, meines Lebens Leben, BuxWV 62 by Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van ImmerseelJesu, meines Lebens Leben, BuxWV 62Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van ImmerseelD Minor17A56 BPM
Bach, JS: Cantata No. 170, Bach, JS: Cantata No. 170, "Vergnügte Ruh, beliebte Seelenlust", BWV 170: I. "Vergnügte Ruh, beliebte Seelenlust "Johann Sebastian Bach, Philippe Jaroussky, Ann-Kathrin Bruggemann, Petra Mullejans, Freiburger BarockorchesterA♭ Major14B77 BPM
Magnificat en sol mineur, RV 610: I. Magnificat by Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des NationsMagnificat en sol mineur, RV 610: I. MagnificatAntonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des NationsD♭ Major33B114 BPM
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo by Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian BachConcerto In F Major, F Dur BWV978, After Antonio Vivaldi: LargoArts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian BachC Major38B103 BPM
Ich steh mit einem Fuss im Grabe, BWV 156: Sinfonia by Johann Sebastian Bach, Rachel Nicholls, Robin Blaze, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki SuzukiIch steh mit einem Fuss im Grabe, BWV 156: SinfoniaJohann Sebastian Bach, Rachel Nicholls, Robin Blaze, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki SuzukiE Major012B115 BPM
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen by Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerEin deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine WohnungenJohannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerE♭ Major15B124 BPM
Selig sind die Toten, SWV 391 by Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart JacobsSelig sind die Toten, SWV 391Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart JacobsF Major27B170 BPM
Schmücke Dich, O Liebe Seele, BWV 180: I. Schmücke Dich, O Liebe Seele (Chor) by Johann Sebastian Bach, Ensemble Baroque De Limoges, Concerto Vocale De Leipzig, Christophe Coin, Gotthold SchwarzSchmücke Dich, O Liebe Seele, BWV 180: I. Schmücke Dich, O Liebe Seele (Chor)Johann Sebastian Bach, Ensemble Baroque De Limoges, Concerto Vocale De Leipzig, Christophe Coin, Gotthold SchwarzG Major29B85 BPM
ISRC
HKI190584602
レコードレーベル
L-M Records/RCA Records