Gerald Finley, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Sir Neville Marriner's 'Past Three a Clock' came out on January 1, 1994. The duration of Past Three a Clock is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Past Three a Clock's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 23 in Christmas With The Academy by Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner. Past Three a Clock is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Past Three a Clock by Gerald Finley, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Sir Neville Marriner is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sept mélodies, Op. 2: V. Sérénade italienne | Ernest Chausson, Véronique Gens, Susan Manoff | B Major | 2 | 1B | 78 BPM | ||
Le nozze di Figaro, K.492, Act IV: Finale. Scena ultima. "Gente gente, all"armi, all"armi!" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda, Julie Roset, Amitai Pati, Ashley Dixon Santelli, Milan Siljanov, Simone Easthope, Paweł Horodyski, Samuel Dale Johnson | G Major | 3 | 9B | 123 BPM | ||
Tom Bowling and Other Song Arrangements: Greensleeves | Benjamin Britten, Philip Langridge, Graham Johnson | B♭ Minor | 7 | 3A | 133 BPM | ||
Ach Gott, wie manches Herzeleid (Chorus) | Johann Sebastian Bach, Joanne Lunn, Richard Wyn Roberts, Julian Podger, Gerald Finley, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E♭ Minor | 0 | 2A | 75 BPM | ||
26 Welsh Songs, WoO 155: No. 8, Farewell, Thou Noisy Town | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | D Major | 3 | 10B | 47 BPM | ||
Evening Songs, Op. 3: No. 7, Když jsem se díval do nebe | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | G Minor | 1 | 6A | 97 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (Arr. for Piano Trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Major | 0 | 10B | 132 BPM | ||
King Arthur, or The British Worthy (1691) / Act 1: "Woden, first to thee" / "We have sacrific'd" | Henry Purcell, Gerald Finley, Jamie MacDougall, The English Concert Choir, The English Concert, Trevor Pinnock | E Major | 1 | 12B | 77 BPM | ||
Requiem, Op. 48: II. Offertory | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | D Major | 0 | 10B | 75 BPM | ||
Paulus: I. Teil: Nr. 12 Rezitativ & Arioso A "Und zog mit einer Schaar gen Damaskus" | Felix Mendelssohn, Annette Markert, Philippe Herreweghe | E♭ Minor | 1 | 2A | 125 BPM |