Carl Orff, Prague Festival Chorus, The Prague Festival Orchestra, Pavel Urbanek's 'Carmina Burana: Fortuna Imperatrix Mundi (Fortune, Empress of the World): O Fortuna' came out on January 1, 1996. The duration of Carmina Burana: Fortuna Imperatrix Mundi (Fortune, Empress of the World): O Fortuna is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Carmina Burana: Fortuna Imperatrix Mundi (Fortune, Empress of the World): O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 20th Century Compositions - Orff, C. / Rachmaninov, S. / Ravel, M. / Reger, M. / Strauss, R. / Stravinsky, I. / Respighi, O. / Prokofiev, S., so we believe that "Carmina Burana: Fortuna Imperatrix Mundi (Fortune, Empress of the World): O Fortuna" is a single. Based on our statistics, Carmina Burana: Fortuna Imperatrix Mundi (Fortune, Empress of the World): O Fortuna's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmina Burana: Fortuna Imperatrix Mundi (Fortune, Empress of the World): O Fortuna by Carl Orff, Prague Festival Chorus, The Prague Festival Orchestra, Pavel Urbanek is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in D Minor, Op. 125 "Choral" / IV.: "Freude, schöner Götterfunken" - Only Chorus | Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm, Vienna State Opera Chorus | G Major | 4 | 9B | 74 BPM | ||
Canon In D Major | Johann Pachelbel, Robert Haydon Clark, Consort of London | D Major | 1 | 10B | 85 BPM | ||
Mozart: Requiem in D Minor, K. 626: III. Dies irae | Nikolaus Harnoncourt, Vienna State Opera Chorus | G Minor | 4 | 6A | 77 BPM | ||
Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM | ||
Carmina Burana / 2. In Taberna: "Estuans interius" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 84 BPM | ||
Adagio for Strings, Op. 11 - Extract | Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner | D♭ Major | 1 | 3B | 79 BPM | ||
Il trovatore: Coro di zingari | Giuseppe Verdi, Christer Solén, Staffan Sandlund, Eric Ericson, Orphei Drängar, Swedish Radio Symphony Orchestra, Leif Segerstam | G Major | 4 | 9B | 142 BPM | ||
Anthem of European Union | Ludwig van Beethoven, Prague Radio Symphony Orchestra, Jan Kučera | D Major | 1 | 10B | 66 BPM | ||
Carmina Burana, III - Cours d'amours: Si puer cum puellula - Soli (3 Tenori, Baritono, 2 Bassi) | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 111 BPM | ||
Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 1. Montagues & Capulets | Minnesota Orchestra, Stanisław Skrowaczewski | A Minor | 1 | 8A | 108 BPM |