Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff's 'Movement III (quarter note = 190) from Concerto in D for Double Bass and Orchestra' came out on 1996. With this song being about 5 minutes long, at 4:56, "Movement III (quarter note = 190) from Concerto in D for Double Bass and Orchestra" by Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "The Best of Edgar Meyer". In this album, this song's track order is #12. In terms of popularity, Movement III (quarter note = 190) from Concerto in D for Double Bass and Orchestra is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Movement III (quarter note = 190) from Concerto in D for Double Bass and Orchestra by Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
We Were Animals | Stuart Duncan, Edgar Meyer, Chris Thile, Aoife O'Donovan, Yo-Yo Ma | C Major | 2 | 8B | 116 BPM | ||
Acoustic Traveller | John McEuen | C Minor | 4 | 5A | 104 BPM | ||
Remington | The Honey Dewdrops | F♯ Major | 2 | 2B | 137 BPM | ||
Fog Rolling Over The Glen | David Grier | D Major | 4 | 10B | 172 BPM | ||
Barnyard Disturbance | Christian McBride, Edgar Meyer | E Minor | 1 | 9A | 69 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Edgar Meyer | E Major | 0 | 12B | 146 BPM | ||
Unless | Hawktail | B Minor | 4 | 10A | 95 BPM | ||
Contramonkey - Instrumental | Mike Marshall, Edgar Meyer, Béla Fleck | A♭ Major | 2 | 4B | 134 BPM | ||
Big Top | Edgar Meyer, Chris Thile | A Major | 2 | 11B | 156 BPM | ||
Quarter Chicken Dark | Stuart Duncan, Edgar Meyer, Chris Thile, Yo-Yo Ma | B Major | 2 | 1B | 144 BPM |