Artur Schnabel's 'Piano Sonata #30 In E, Opus 109' came out on January 5, 2010. The duration of Piano Sonata #30 In E, Opus 109 is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Piano Sonata #30 In E, Opus 109's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 71 in the song's album "The Greatest Piano Works". In this album, this song's track order is #43. Piano Sonata #30 In E, Opus 109 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonata #30 In E, Opus 109 by Artur Schnabel having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
パガニーニによる大練習曲 第6番 | Fujiko Hemming | A Minor | 2 | 8A | 86 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
Nocturne No. 13 in C Minor, Op. 48-1 | Valentina Lisitsa | C Minor | 1 | 5A | 72 BPM | ||
Theme and Variations, Op. 72: Var. 11. Allegretto | Alexander Glazunov, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Lieder ohne Worte, Op. 19: 4. Moderato | Felix Mendelssohn, András Schiff | A Major | 0 | 11B | 70 BPM | ||
24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major | Dmitri Shostakovich, Tatiana Nikolayeva | A Major | 0 | 11B | 85 BPM | ||
Fantasia on "The Last Rose of Summer", Op. 15 | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Carnaval, Op.9: 1. Préambule | Robert Schumann, Daniel Barenboim | A♭ Major | 2 | 4B | 150 BPM | ||
Herzlich Tut Mich Verlagen, BWV 727 (Arr. W. Kempff): Herzlich Tut Mich Verlangen, BWV 727 (Trans. W. Kempff) | Johann Sebastian Bach, Idil Biret, Wilhelm Kempff | B♭ Major | 1 | 6B | 81 BPM | ||
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | F Minor | 1 | 4A | 142 BPM |