On January 5, 2024, the song "Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Violin by Tomás Cotik): I. Prélude" was released by Johann Sebastian Bach, Tomás Cotik. The duration of Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Violin by Tomás Cotik): I. Prélude is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Violin by Tomás Cotik): I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Tomás Cotik's "J.S. Bach: Cello Suite Nos. 1-6, BWV 1007-1012 (Arr. for Violin by Tomás Cotik)" album is number 1 out of 36. On top of that, United States appears to be the country where this track was created. In terms of popularity, Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Violin by Tomás Cotik): I. Prélude is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Violin by Tomás Cotik): I. Prélude by Johann Sebastian Bach, Tomás Cotik to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: II. Allemande | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 137 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: II. Adagio | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Anne-Katharina Schreiber, Gottfried Von Der Goltz | B♭ Minor | 1 | 3A | 69 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Christmas Oratorio, BWV 248/1: Bereite dich, Zion (Alto) | Johann Sebastian Bach, Christian Friedrich Henrici, Marianne Beate Kielland, Alfredo Bernardini, Barokkanerne | F Major | 2 | 7B | 81 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 68 BPM | ||
Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM |