"Prelude & Fugue in E-Flat Minor, BWV 853 (Arr. H. Villa-Lobos for Choir): II. Fugue" by Johann Sebastian Bach, Orquestra Sinfônica do Estado de São Paulo, Valentina Peleggi was released on January 29, 2021. Prelude & Fugue in E-Flat Minor, BWV 853 (Arr. H. Villa-Lobos for Choir): II. Fugue is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. This song is part of Villa-Lobos: Choral Transcriptions by Orquestra Sinfônica Do Estado De São Paulo, Valentina Peleggi. The song's track number on the album is #3 out of 15 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Prelude & Fugue in E-Flat Minor, BWV 853 (Arr. H. Villa-Lobos for Choir): II. Fugue's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Prelude & Fugue in E-Flat Minor, BWV 853 (Arr. H. Villa-Lobos for Choir): II. Fugue by Johann Sebastian Bach, Orquestra Sinfônica do Estado de São Paulo, Valentina Peleggi has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Prelude & Fugue in E-Flat Minor, BWV 853 (Arr. H. Villa-Lobos for Choir): II. Fugue being at 130 テンポ, the half-time would be 65 テンポ with a double-time of 260 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Suite No. 6 in D Major, BWV 1012: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | D Major | 2 | 10B | 104 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Suite Bergamasque, L. 75: III. Clair de lune (Andante très expressif) | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM |