Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste made "Symphony No. 4 "Los Angeles": 1. Con sublimità. Marcando con maestà. Pacato" available on April 20, 2018. Since Symphony No. 4 "Los Angeles": 1. Con sublimità. Marcando con maestà. Pacato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 11 in Arvo Pärt: The Symphonies by Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Symphony No. 4 "Los Angeles": 1. Con sublimità. Marcando con maestà. Pacato is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Symphony No. 4 "Los Angeles": 1. Con sublimità. Marcando con maestà. Pacato by Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste is Vivace (lively and fast), since this song has a tempo of 170 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Violoncello And Strings: I. (Turbulent, Tense) | Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov | E Minor | 4 | 9A | 89 BPM | ||
Fratres, für Violine und Klavier | Kayako Bruckmann, Arvo Pärt, Michael Van Krücker | D Major | 1 | 10B | 69 BPM | ||
I. Even | Peter Gregson, Richard Harwood, Warren Zielinski, Ben Hancox, James Boyd | F Major | 5 | 7B | 70 BPM | ||
Asturiana | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
Silent Echoes | Joey Roukens, Lucas Jussen, Arthur Jussen, Netherlands Radio Philharmonic Orchestra, Karina Canellakis | B♭ Major | 3 | 6B | 152 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM | ||
Lamentate: Lamentabile | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | A♭ Minor | 5 | 1A | 135 BPM | ||
Avril 14th | Aphex Twin, Daniel Hope, Jacques Ammon, Christoph Anacker, Jane Berthe, Kaiser Quartett | D♭ Major | 0 | 3B | 144 BPM | ||
Hymne | Anja Lechner, François Couturier | D Minor | 0 | 7A | 75 BPM | ||
Fiori Musicali: Vientuļā kalla | Georgs Pelēcis, Kremerata Baltica | D♭ Major | 3 | 3B | 94 BPM |