"Duel And Death of Lensky (Onegin Ballet Suite No 22)" by Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery was released on November 5, 2010. The duration of Duel And Death of Lensky (Onegin Ballet Suite No 22) is about 3 minutes long, at 3:23. Based on our data, "Duel And Death of Lensky (Onegin Ballet Suite No 22)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 31 in the song's album "Tchaikovsky: Onegin, Theme and Variations, Ballet Imperial". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Australia. The popularity of Duel And Death of Lensky (Onegin Ballet Suite No 22) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Duel And Death of Lensky (Onegin Ballet Suite No 22) by Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery having a テンポ of 173 with a half-time of 86 テンポ and a double-time of 346 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic Dances, Op. 72 (Remastered): No. 2 in E Minor. Allegretto grazioso | Antonín Dvořák, George Szell, Cleveland Orchestra | A♭ Major | 1 | 4B | 73 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 1, Scherzo | Felix Mendelssohn, Rotterdam Philharmonic Orchestra, Jeffrey Tate | F Major | 3 | 7B | 88 BPM | ||
Ancient Airs And Dances, Suite No.1, [P. 109]: 2. Gagliarda | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 93 BPM | ||
Fontane di Roma, P. 106: II. La fontana del Tritone al mattino | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | G Major | 5 | 9B | 82 BPM | ||
Raymonda, Act III: Coda | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 4 | 7A | 166 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Coppelia: Act I - Czardas-Danse hongroise | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 139 BPM | ||
Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 2 | 6A | 71 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): V. Intermezzo | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | D Minor | 0 | 7A | 110 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": IV. Saltarello. Presto | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Minor | 3 | 8A | 90 BPM |