John Dowland, Anastasia Kobekina, Azul Lima made "Go, Crystal Tears" available on February 2, 2024. The duration of Go, Crystal Tears is about 3 minutes long, at 3:13. Based on our data, "Go, Crystal Tears" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Venice by Anastasia Kobekina. The song's track number on the album is #4 out of 23 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Go, Crystal Tears's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Go, Crystal Tears by John Dowland, Anastasia Kobekina, Azul Lima has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Go, Crystal Tears being at 142 テンポ, the half-time would be 71 テンポ with a double-time of 284 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poem I | Gillian Pereira, Sally Greenaway | G Major | 2 | 9B | 79 BPM | ||
M. Bucton his Galiard | John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi | B♭ Major | 1 | 6B | 116 BPM | ||
Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen) | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | B Major | 1 | 1B | 113 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: II. Adagio | Wolfgang Amadeus Mozart, Robert Levin, Renaud Capuçon, Orchestre de Chambre de Lausanne | D Major | 0 | 10B | 179 BPM | ||
Sonata in D Major, Op. 1 No. 13, HWV 371: I. Affettuoso | George Frideric Handel, Bojan Čičić, Steven Devine | A♭ Major | 3 | 4B | 122 BPM | ||
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. Reger for Piano) | Johannes Brahms, Rudolf Buchbinder | E♭ Major | 0 | 5B | 89 BPM | ||
Sonata for Solo Violin in A Minor: III. Giga | Johann Georg Pisendel, Isabelle Faust | A♭ Minor | 0 | 1A | 78 BPM | ||
Lady Hunsdon's Puffe, P. 54 | John Dowland, Nigel North | B♭ Major | 2 | 6B | 78 BPM | ||
22 Scottish Songs, WoO 156: No. 1, Untitled | Ludwig van Beethoven, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E Minor | 1 | 9A | 126 BPM |