John Dowland, Anastasia Kobekina, Azul Lima made "Go, Crystal Tears" available on February 2, 2024. The duration of Go, Crystal Tears is about 3 minutes long, at 3:13. Based on our data, "Go, Crystal Tears" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Venice by Anastasia Kobekina. The song's track number on the album is #4 out of 23 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Go, Crystal Tears's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Go, Crystal Tears by John Dowland, Anastasia Kobekina, Azul Lima has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Go, Crystal Tears being at 142 テンポ, the half-time would be 71 テンポ with a double-time of 284 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Divisions on ''Pudding and Pies or Greensleeves'' | Traditional, John Playford, Barbara Heindlmeier, Ensemble La Ninfea | D♭ Minor | 1 | 12A | 65 BPM | ||
A Fancy, P. 73 | John Dowland, Jonas Nordberg | F Major | 1 | 7B | 66 BPM | ||
Suite No. 4 in E Minor: Prelude X.XVII | Monsieur de Sainte-Colombe, Christian-Pierre La Marca | E♭ Minor | 1 | 2A | 123 BPM | ||
Bachianinha No. 1 (Arr. for Guitar by Sérgio Assad) | Paulinho Nogueira, Plínio Fernandes | A Minor | 2 | 8A | 142 BPM | ||
Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares | John Dowland, Fretwork | G Minor | 0 | 6A | 113 BPM | ||
The Wolf and the Seven Young Goats: I. Morning Jogging | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Alexey Lundin | A Major | 1 | 11B | 87 BPM | ||
Sequentia | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | E Minor | 0 | 9A | 139 BPM | ||
Nos souvenirs | Ernest Chausson, Christian-Pierre La Marca | D♭ Minor | 1 | 12A | 0 BPM | ||
3 Little Negro Dances: No. 3, Ticklin' Toes (Transcr. for Solo Violin and Chamber Orchestra) | Florence Beatrice Price, Daniel Hope, Zürcher Kammerorchester | C Major | 1 | 8B | 169 BPM | ||
L'orfeo: Orfeo, tu dormi | Antonio Sartorio, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM |