"Aniara: Act II Scene 3: Ja, frågan gäller" by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg was released on January 1, 2002. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 42 in Aniara by Karl-Birger Blomdahl, Stig Westerberg. Aniara: Act II Scene 3: Ja, frågan gäller is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aniara: Act II Scene 3: Ja, frågan gäller by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Pines of Rome P. 141: The Pines of Janiculum | Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen | B Major | 0 | 1B | 95 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | C Major | 1 | 8B | 145 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Mahler: Symphony No. 2, "Resurrection": IV. Urlicht, "Der Mensch liegt in grösster Not" (Alto). Sehr feierlich, aber schlicht | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | D♭ Major | 0 | 3B | 137 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Gounod: Roméo et Juliette: Ouverture (Allegro maestoso) | Charles Gounod, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 3 | 7A | 123 BPM | ||
Thomas: Act I: Soma, Soma … (Chorus, Thomas) | Einojuhani Rautavaara, Jorma Hynninen, Peter Lindroos, Matti Piipponen, Sini Rautavaara, Marko Putkonen, Antti Suhonen, Anssi Hirvonen, Hannu Sokka, Jaakko Hietikko, Anitta Juhala-Jolkkonen, Joensuu Music School Choir, Savonlinna Festival Opera Choir, Joensuu City Orchestra, Pekka Haapasalo | A♭ Minor | 2 | 1A | 168 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus, Orchestre de Paris | E♭ Major | 0 | 5B | 70 BPM |