Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko's 'The Sleeping Beauty, Op. 66 : Act III, No.28 Variation 2 Aurore (Aurora)' came out on January 1, 2012. The duration of The Sleeping Beauty, Op. 66 : Act III, No.28 Variation 2 Aurore (Aurora) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. The Sleeping Beauty, Op. 66 : Act III, No.28 Variation 2 Aurore (Aurora)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Sleeping Beauty (excerpts from the Ballet)". In this album, this song's track order is #23. Based on our statistics, The Sleeping Beauty, Op. 66 : Act III, No.28 Variation 2 Aurore (Aurora)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Sleeping Beauty, Op. 66 : Act III, No.28 Variation 2 Aurore (Aurora) by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohème | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 1 | 12B | 136 BPM | ||
An Artist's Life (Waltz), Op. 316 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | C Major | 2 | 8B | 178 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
Carmen, Suite No.2 : X. Chanson du toréador | Saint Petersburg Orchestra of the State Hermitage Museum Camerata, Alexander Titov | F Major | 2 | 7B | 119 BPM | ||
Symphony No.1 in B flat major, Spring, Op. 38 : IV. Allegro animato e grazioso | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | B♭ Major | 1 | 6B | 101 BPM | ||
Hungarian Dance No.7 In F | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 81 BPM | ||
Coriolan Overture, Op. 62 | Tbilisi Symphony Orchestra | F Minor | 1 | 4A | 81 BPM | ||
Les Sylphides: 8. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 110 BPM | ||
Persian March, Op. 289 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | G Minor | 4 | 6A | 93 BPM | ||
Act II: Entree Of Kitri & Basil (Minkus) | Mariinsky Orchestra | G Major | 4 | 9B | 121 BPM |