On 1971, the song "キーboard Concerto No. 6 in F Major, BWV 1057: III. Allegro assai" was released by Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields, Jeanne Dolmetsch, Marguerite Dolmetsch. With this song being about 5 minutes long, at 4:35, "キーboard Concerto No. 6 in F Major, BWV 1057: III. Allegro assai" by Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields, Jeanne Dolmetsch, Marguerite Dolmetsch is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, Murray Perahia's "Murray Perahia Plays Bach Concertos" album is number 9 out of 30. On top of that, United States appears to be the country where this track was created. In terms of popularity, キーboard Concerto No. 6 in F Major, BWV 1057: III. Allegro assai is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of キーboard Concerto No. 6 in F Major, BWV 1057: III. Allegro assai by Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields, Jeanne Dolmetsch, Marguerite Dolmetsch to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Telemann: Concerto for 2 Flutes and Violone in A Minor, TWV 53:a1: III. Loure | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Jacques Zoon, Klaus Stoll, Rainer Kussmaul | G Minor | 4 | 6A | 120 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Concerto for Strings in A Minor, RV 161: II. Largo | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Sonata in D major, Kk.119 | Domenico Scarlatti, Gianluca Cascioli | D Major | 1 | 10B | 116 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana | G Minor | 1 | 6A | 50 BPM | ||
Mazurka in D Major, Op. posth. | Frédéric Chopin, Vladimir Ashkenazy | D Minor | 0 | 7A | 114 BPM | ||
Suite en Sol: Menuet - Deuxième menuet | Jean-Philippe Rameau, Alexandre Tharaud | G Major | 0 | 9B | 143 BPM | ||
Partita No. 3 in A Minor, BWV 827: IV. Sarabande | Johann Sebastian Bach, Martin Helmchen | A♭ Minor | 2 | 1A | 145 BPM |