"Milhaud: Sonatine for Flute and Piano, Op. 76: II. Souple" by Darius Milhaud, Emmanuel Pahud, Eric Le Sage was released on January 20, 1998. The duration of Milhaud: Sonatine for Flute and Piano, Op. 76: II. Souple is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Milhaud: Sonatine for Flute and Piano, Op. 76: II. Souple's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Paris - French Flute Music". In this album, this song's track order is #13. Milhaud: Sonatine for Flute and Piano, Op. 76: II. Souple is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Milhaud: Sonatine for Flute and Piano, Op. 76: II. Souple by Darius Milhaud, Emmanuel Pahud, Eric Le Sage having a テンポ of 62 with a half-time of 31 テンポ and a double-time of 124 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | G Minor | 3 | 6A | 139 BPM | ||
Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio ma non troppo | Antonín Dvořák, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Major | 1 | 7B | 56 BPM | ||
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
L'homme et son désir, Op. 48: V. Toutes les choses de la foret qui viennent voir l'Homme endormi | Darius Milhaud, Tomoko Makuuchi, Jian Zhao, Mathias Vidal, Bernard Deletré, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 3 | 3A | 118 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
La creation du monde, Op. 81: V. Le printemps ou l'apaisement (Version for wind ensemble) | Darius Milhaud, Claude Delangle, Jonas Lindgard, Christian Bergqvist, Christina Wirdegren Alin, Stefan Lindgren, Swedish Wind Ensemble, Christian Lindberg | B Minor | 1 | 10A | 96 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
String Quartet No. 1, Op. 20: I. Allegro violento ed agitato | Alberto Ginastera, Enso String Quartet | G Major | 3 | 9B | 157 BPM | ||
Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM |