"Threnody to the Victims of Hiroshima (1959 - 61) - 1994 Remastered Version" by Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Nationales Polnisches Rundfunksinfonieorchester was released on March 19, 1994. Threnody to the Victims of Hiroshima (1959 - 61) - 1994 Remastered Version appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Threnody to the Victims of Horoshima etc". In this album, this song's track order is #2. In terms of popularity, Threnody to the Victims of Hiroshima (1959 - 61) - 1994 Remastered Version is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Threnody to the Victims of Hiroshima (1959 - 61) - 1994 Remastered Version by Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Nationales Polnisches Rundfunksinfonieorchester having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brutal Ardour (Variation On 'The Canon In D Major' By Johann Pachelbel) - Remastered 2004 | Brian Eno | D Major | 2 | 10B | 83 BPM | ||
G Song | Terry Riley, Kronos Quartet | G Minor | 2 | 6A | 109 BPM | ||
Piano Concerto, "Resurrection": Grave - (Revised 2007 Version) | Krzysztof Penderecki, Barry Douglas, Warsaw Philharmonic Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 82 BPM | ||
Jackson Pollock (1950-51) for two Cellos: V Painting on Glass | Morton Feldman, Lucas Fels, Tobias Moster | D Major | 0 | 10B | 154 BPM | ||
Klavierstück V, Work No. 4: Klavierstuck V, Work No. 4 | Karlheinz Stockhausen, Fredrik Ullén | D♭ Major | 0 | 3B | 95 BPM | ||
Uaxuctum: III. — | Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 85 BPM | ||
Aether | Hildur Guðnadóttir | A Minor | 0 | 8A | 169 BPM | ||
Asyla, Op. 17: III. Ecstasio | Thomas Adès, London Symphony Orchestra | G Major | 3 | 9B | 130 BPM | ||
St. Luke Passion: Part I: Ierusalem (Lamentation of Jeremiah) | Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | G Major | 0 | 9B | 107 BPM | ||
End of Summer Part 4 | Jóhann Jóhannsson, Hildur Guðnadóttir, Robert Aiki Aubrey Lowe | C Major | 0 | 8B | 66 BPM |