"Symphony No. 1 "Land of the Free": I. Threads of Resilience" by Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling was released on May 10, 2024. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 8 in Christopher Schmitz: Violin Concerto & Symphony No. 1 "Land of the Free" by Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling, Amy Schwartz Moretti, London Voices. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Symphony No. 1 "Land of the Free": I. Threads of Resilience is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 1 "Land of the Free": I. Threads of Resilience by Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Manon Lescaut Intermezzo sinfonico, 900864: Manon Lescaut Intermezzo sinfonico, 3. Act | Giacomo Puccini, Ivan Repušić, Munich Radio Orchestra | A Major | 1 | 11B | 111 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 11, Scene. Allegro moderato - Moderato - Allegro vivo | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 68 BPM | ||
22 Scottish Songs, WoO 156: No. 1, Untitled | Ludwig van Beethoven, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E Minor | 1 | 9A | 126 BPM | ||
String Quartet No. 9 in E-Flat Major, Op. 117: V. Allegro | Dmitri Shostakovich, Carducci String Quartet | D♭ Major | 0 | 3B | 83 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 67 BPM | ||
Ice | Lauri Porra, Dalia Stasevska, Lahti Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
Lohengrin, WWV 75, Act III: Prelude (Excerpt) | Richard Wagner, Russian State Symphony Orchestra, John McGlinn | G Major | 3 | 9B | 76 BPM | ||
Clarinet Quintet: I. Funny Siciliana | Jan van Landeghem, Eddy Vanoosthuyse, Zemlinsky Quartet | G Minor | 1 | 6A | 182 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, André Previn, London Symphony Orchestra | C Major | 2 | 8B | 114 BPM | ||
Symphony No. 3 in C Minor, Op. 44: IV. Andante mosso - Allegro moderato | Sergei Prokofiev, Gianandrea Noseda, London Symphony Orchestra | F Minor | 5 | 4A | 75 BPM |