On January 1, 1985, the song "15 Three-part Inventions, BWV 787/801: No. 3 in D, BWV 789" was released by Johann Sebastian Bach, András Schiff. With 15 Three-part Inventions, BWV 787/801: No. 3 in D, BWV 789 being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 30 in Bach, J.S.: Two and Three Part Inventions by Carlos Moerdijk, Emmy Verhey, Wolfgang Amadeus Mozart, Mitsuko Uchida, Johann Sebastian Bach, Glenn Gould, Johann Sebastian Bach, András Schiff. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, 15 Three-part Inventions, BWV 787/801: No. 3 in D, BWV 789 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of 15 Three-part Inventions, BWV 787/801: No. 3 in D, BWV 789 by Johann Sebastian Bach, András Schiff is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
15 Three-part Inventions, BWV 787/801: No. 10 in G, BWV 796 | Johann Sebastian Bach, András Schiff | F Major | 2 | 7B | 101 BPM | ||
Six German Dances, D.820: No. 5 | Franz Schubert, András Schiff | B♭ Major | 1 | 6B | 173 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
24 Preludes, Op. 34: No. 8 in F-Sharp Minor. Allegretto | Dmitri Shostakovich, Tatiana Nikolayeva | D♭ Minor | 1 | 12A | 110 BPM | ||
Lieder ohne Worte, Op.102: No. 3. Presto in C, MWV U 195 - "Tarantelle" | Felix Mendelssohn, Daniel Barenboim | C Major | 2 | 8B | 163 BPM | ||
24 Preludes & Fugues, Op. 87: No. 21a, Prelude in B-Flat Major | Dmitri Shostakovich, Tatiana Nikolayeva | B♭ Major | 1 | 6B | 148 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.2 in C minor BWV871 | Daniel Barenboim | E♭ Major | 1 | 5B | 92 BPM | ||
12 German Dances, D790: No.11 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
48 Esquisses, Op. 63, Book 1: No. 1, La vision | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 127 BPM | ||
6 Romances Sans Paroles, Op. 76,: No. 6, Meditation | Cécile Chaminade, Irene Cantos | A♭ Major | 0 | 4B | 73 BPM |