Fragments from the Film Music: No.26 Ophelia's Madness - From 'Hamlet'

Dmitri Shostakovich, I Solisti Italiani
I Solisti Italiani On Cinema
3:44 2009年1月1日
テンポ
99
キー
D♭ Major
キャメロットミュージックキー
3B

リンクを埋め込む

共有

Fragments from the Film Music: No.26 Ophelia's Madness - From 'Hamlet' - Dmitri Shostakovich, I Solisti Italiani 情報

音響性
94%
ダンサビリティ
24%
エネルギー
1%
手段性
1%
活気
6%
ラウドネス
37%
話し言葉
4%
価数
4%
人気
ラウドネス
-37.532 dB

まとめ

"Fragments from the Film Music: No.26 Ophelia's Madness - From 'Hamlet'" by Dmitri Shostakovich, I Solisti Italiani was released on January 1, 2009. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in I Solisti Italiani's "I Solisti Italiani On Cinema" album is number 24 out of 27. In terms of popularity, Fragments from the Film Music: No.26 Ophelia's Madness - From 'Hamlet' is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Fragments from the Film Music: No.26 Ophelia's Madness - From 'Hamlet' テンポ

We consider the tempo marking of Fragments from the Film Music: No.26 Ophelia's Madness - From 'Hamlet' by Dmitri Shostakovich, I Solisti Italiani to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Fragments from the Film Music: No.26 Ophelia's Madness - From 'Hamlet' キー

D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace by Johannes Brahms, Royal Concertgebouw Orchestra, Bernard HaitinkSerenade No. 2 in A Major, Op. 16: 2. Scherzo. VivaceJohannes Brahms, Royal Concertgebouw Orchestra, Bernard HaitinkA Major111B179 BPM
Strauss, R / Arr. Prihoda for Violin and Piano: Stimmungsbilder, Op. 9: No. 2, An einsamer Quelle by Richard Strauss, Renaud Capuçon, Jerome DucrosStrauss, R / Arr. Prihoda for Violin and Piano: Stimmungsbilder, Op. 9: No. 2, An einsamer QuelleRichard Strauss, Renaud Capuçon, Jerome DucrosE♭ Major35B100 BPM
Images: No. 3. Rondes de printemps by Claude Debussy, Orchestre National De Lyon, Jun MarklImages: No. 3. Rondes de printempsClaude Debussy, Orchestre National De Lyon, Jun MarklA♭ Major14B134 BPM
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: IV. Interlude by Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore KucharPyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: IV. InterludeLev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore KucharB♭ Major06B89 BPM
Symphony No. 14 in G Minor, Op. 135: III. Loreley by Dmitri Shostakovich, Kristine Opolais, Alexander Tsymbalyuk, Boston Symphony Orchestra, Andris NelsonsSymphony No. 14 in G Minor, Op. 135: III. LoreleyDmitri Shostakovich, Kristine Opolais, Alexander Tsymbalyuk, Boston Symphony Orchestra, Andris NelsonsB♭ Major26B73 BPM
Capriccio Espagnol: Alborada by Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim SvenhedenCapriccio Espagnol: AlboradaNikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim SvenhedenA Major411B126 BPM
Symphony No. 5 in E-Flat Major, Op. 82: 2. Andante mosso, quasi allegretto by Jean Sibelius, Boston Symphony Orchestra, Sir Colin DavisSymphony No. 5 in E-Flat Major, Op. 82: 2. Andante mosso, quasi allegrettoJean Sibelius, Boston Symphony Orchestra, Sir Colin DavisG Major09B80 BPM
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble by Hector Berlioz, Chicago Symphony Orchestra, Claudio AbbadoSymphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensembleHector Berlioz, Chicago Symphony Orchestra, Claudio AbbadoB♭ Major16B153 BPM
Symphony in C Minor, EG 119: IV. Finale: Allegro molto vivace by Edvard Grieg, Malmö Symphony Orchestra, Bjarte EngesetSymphony in C Minor, EG 119: IV. Finale: Allegro molto vivaceEdvard Grieg, Malmö Symphony Orchestra, Bjarte EngesetC Major18B86 BPM
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso quasi andantino - Presto ma non assai by Johannes Brahms, David ZinmanSymphony No. 2 in D Major, Op. 73: III. Allegretto grazioso quasi andantino - Presto ma non assaiJohannes Brahms, David ZinmanG Major09B86 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records