"Concert Piece for Oboe and Orchestra, Op. 33: I. Andante sostenuto" by Julius Rietz, Diana Doherty, Werner Andreas Albert, Queensland Symphony Orchestra was released on January 1, 1998. Concert Piece for Oboe and Orchestra, Op. 33: I. Andante sostenuto is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. There are a total of 18 in the song's album "Romantic Oboe Concertos". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Australia. In terms of popularity, Concert Piece for Oboe and Orchestra, Op. 33: I. Andante sostenuto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concert Piece for Oboe and Orchestra, Op. 33: I. Andante sostenuto by Julius Rietz, Diana Doherty, Werner Andreas Albert, Queensland Symphony Orchestra having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in D Minor, JB 1:124: III. Allegro non piú moderato, ma agitato e con fuoco | Bedřich Smetana, Pavel Haas Quartet | C Major | 2 | 8B | 88 BPM | ||
Sinfonia In E Flat Major, Wq. 183/2, H. 664: II. Larghetto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Viotti / Arr. Mozart: Violin Concerto in E Minor, WI:16: II. Adagio | Giovanni Battista Viotti, Yehudi Menuhin, Menuhin Festival Orchestra | E Major | 1 | 12B | 100 BPM | ||
Symphony in A Major, Op. 24 No. 2, P. I:7: IV. Finale: Prestissimo | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 2 | 11B | 123 BPM | ||
Der Fischer und das Milchmädchen: I. Allegretto galante | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Sonata a quattro No. 2 in A: 3. Allegro | Gioachino Rossini, Filarmonica del Teatro Comunale di Bologna, Riccardo Chailly | D Major | 1 | 10B | 145 BPM | ||
Symphony No. 4, Op. 90, "Italian": I. Allegro vivace | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Bruch: Concerto for Clarinet and Viola in E Minor, Op. 88: III. Allegro molto | Max Bruch, Kent Nagano, Orchestre de l'Opéra de Lyon | E Major | 2 | 12B | 179 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM |