Teresa Berganza, Pilar Lorengar, Carlos Fagoaga, Joaquin Portillo, Julio Uribe, Selicia Pérez, Mari Carmen Ramirez, Antonio Ayestaran, Charo Ornazabal's 'La Chulapona: "Ay, Madrleña Chulapa!"' came out on February 11, 2013. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "La Chulapona" album is number 7 out of 8. In terms of popularity, La Chulapona: "Ay, Madrleña Chulapa!" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La Chulapona: "Ay, Madrleña Chulapa!" by Teresa Berganza, Pilar Lorengar, Carlos Fagoaga, Joaquin Portillo, Julio Uribe, Selicia Pérez, Mari Carmen Ramirez, Antonio Ayestaran, Charo Ornazabal to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhäuser: Coro de Peregrinos | Coro de la Orquesta Sinfónica de Radio Hamburgo | E♭ Major | 2 | 5B | 71 BPM | ||
El barberillo de Lavapiés: Dicen que en el prado | Luis Mariano de Larra, Francisco Asenjo, Teresa Berganza, Gerardo Monreal, Ataúlfo Argenta, Gran Orquesta Sinfonica | D Major | 4 | 10B | 117 BPM | ||
Aquel caballero, madre | Luis de Milán, Teresa Berganza, Narciso Yepes | F Major | 1 | 7B | 173 BPM | ||
El barberillo de Lavapiés, Acto I: Marquesita, Paloma y Lamparilla | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | D Major | 3 | 10B | 75 BPM | ||
Ach so fromm | Fritz Wunderlich | F Major | 1 | 7B | 86 BPM | ||
Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
El Rey Que Rabió: "Juzgando por los síntomas" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Coro General, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | F Major | 3 | 7B | 110 BPM | ||
Doña Francisquita, Act III: Fandango | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá | F Major | 3 | 7B | 101 BPM | ||
Massenet: Don Quichotte, Act 4: "Par fortune ! Par fortune !" (Rodriguez, Dulcinée, Juan, Pedro, Garcias, La foule) | Jules Massenet, Teresa Berganza, Christian Papis, Choeur Du Capitole De Toulouse, Isabelle Vernet, Marie-Ange Todorovitch, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Los Gavilanes: "Guarde Dios al galán" | Coro Cantores de Madrid, Teresa Berganza, Carlos Munguia | C Major | 2 | 8B | 128 BPM |