"Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, Scottish Chamber Orchestra, Roderick Brydon had its release date on September 15, 2002. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Sarabande". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air by Johann Sebastian Bach, Scottish Chamber Orchestra, Roderick Brydon having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Sonata No. 15 in C Major, I. Allegro | Maria João Pires | C Major | 1 | 8B | 136 BPM | ||
Suite No. 3 en ré majeur, BWV. 1068: Air | Johann Sebastian Bach, Orchestre symphonique de Radio Télé Luxembourg, Leopold Hager, Vassil Ivanov, Norbert Mattern, Jean de Ridder, Elisabeth Parcells | E Major | 1 | 12B | 133 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Dvorák: Lasst mich allein (From 4 Lieder, Op. 82, B. 157) | Antonín Dvořák, Gautier Capuçon, Jerome Ducros | B Major | 0 | 1B | 129 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM |