On 1972, the song "No, No, Nanette - Original Broadway Cast: Telephone Girlie" was released by Vincent Youmans, Bobby Van, K. C. Townsend, Loni Zoe Ackerman, Pat Lysinger, Buster Davis. The duration of No, No, Nanette - Original Broadway Cast: Telephone Girlie is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. No, No, Nanette - Original Broadway Cast: Telephone Girlie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "No, No, Nanette (New Broadway Cast Recording (1971))". In this album, this song's track order is #17. Based on our statistics, No, No, Nanette - Original Broadway Cast: Telephone Girlie's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With No, No, Nanette - Original Broadway Cast: Telephone Girlie by Vincent Youmans, Bobby Van, K. C. Townsend, Loni Zoe Ackerman, Pat Lysinger, Buster Davis having a テンポ of 147 with a half-time of 74 テンポ and a double-time of 294 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
Hjertets melodier (Melodies of the Heart), Op. 5: No. 3. Jeg elsker dig (I Love but Thee) (arr. H. Kraggerud): I Love Only You, Op. 5, No. 3 | Henning Kraggerud, Edvard Grieg, Razumovsky Symphony Orchestra, Bjarte Engeset | A Minor | 0 | 8A | 86 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
ふたりでお茶を(牛島安希子編) | ヴィンセント・ユーマンス, ハッピー・マッキーsaxカルテット | F Major | 2 | 7B | 70 BPM | ||
Rhapsody in Blue - excerpt | London Symphony Orchestra, André Previn | E Major | 3 | 12B | 79 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM |