"Alpha Comes to Berk" by John Powell, Gavin Greenaway was released on June 13, 2014. The duration of Alpha Comes to Berk is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Alpha Comes to Berk's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Powell, Gavin Greenaway's "How to Train Your Dragon 2 (Music from the Motion Picture)" album is number 16 out of 20. Alpha Comes to Berk is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alpha Comes to Berk by John Powell, Gavin Greenaway to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swords Crossed | Klaus Badelt | D Major | 4 | 10B | 139 BPM | ||
The Apostate | Joseph Shirley, Ludwig Göransson | F Minor | 5 | 4A | 83 BPM | ||
Scherzo for Violin and Swords | Bear McCreary | F Minor | 2 | 4A | 91 BPM | ||
Helmet Hair | Harry Gregson-Williams, John Powell | G Major | 1 | 9B | 87 BPM | ||
Young Leia | Natalie Holt | B♭ Minor | 1 | 3A | 80 BPM | ||
Page 47 | Trevor Rabin | D Minor | 3 | 7A | 120 BPM | ||
Banished | Jeremy Zuckerman | E♭ Minor | 0 | 2A | 72 BPM | ||
The Boy Was Right | David Hirschfelder | D Minor | 3 | 7A | 79 BPM | ||
Cibola | Trevor Rabin | C Major | 3 | 8B | 94 BPM | ||
The Imperial Suite | Michael Giacchino | F Minor | 4 | 4A | 87 BPM |