"Suite No. 2 in D Major: II. Allemande" by Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer had its release date on January 1, 1995. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Suite No. 2 in D Major: II. Allemande's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 245 in the song's album "Recorder Recital: Schneider, Michael - Handel, G.F. / Telemann, G.P. / Barsanti, F. / Scarlatti, A. / Sammartini, G. / Mancini, F. / Castrucci, P.". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Suite No. 2 in D Major: II. Allemande is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No. 2 in D Major: II. Allemande by Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in E Major: III. Siciliano | Carl Heinrich Graun, Fréderick Franssen, Members of the Netherlands Radio Philharmonic Orchestra | E♭ Major | 3 | 5B | 100 BPM | ||
Concerto grosso in D Major, D-WD 538, After Sonata, Op. 5 No. 1 by Corelli: III. Allegro | Giovanni Benedetto Platti, Ensemble Cordia, Stefano Veggetti | B♭ Minor | 0 | 3A | 112 BPM | ||
Violin Sonata No. 6 in C Minor, C. 143: I. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | B Minor | 1 | 10A | 85 BPM | ||
Sonata seconda du IIème Livre de Sonates à violon seul et basse continue: Andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
Sinfonia per violoncello in G Minor: III. Largo | Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni | B Minor | 3 | 10A | 86 BPM | ||
Sonata in A Minor, QV 2:41a/b: IV. Allegro | Johann Joachim Quantz, Ensemble Zefiro, Alfredo Bernardini | F♯ Minor | 3 | 11A | 105 BPM | ||
Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | A Major | 4 | 11B | 125 BPM | ||
Sonata K. 9 D Minor - Allegretto | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM |