"The Firebird, Suite from the Ballet 1919 VI.Berceuse - Recording at Parthenon Tama, Tokyo, 1989" by Tokyo Kosei Wind Orchestra, Frederick Fennell, Randy Earles was released on September 9, 2000. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "THE FIREBIRD 1919/PICTURES AT AN EXHIBITION". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Japan. The Firebird, Suite from the Ballet 1919 VI.Berceuse - Recording at Parthenon Tama, Tokyo, 1989 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Firebird, Suite from the Ballet 1919 VI.Berceuse - Recording at Parthenon Tama, Tokyo, 1989 by Tokyo Kosei Wind Orchestra, Frederick Fennell, Randy Earles having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
巡閲の譜 | Japan Ground Self Defense Force Central Band | A♭ Major | 3 | 4B | 109 BPM | ||
喜歌劇「伯爵夫人マリツァ」セレクション - 小編成版 | フィルハーモニック・ウインズ 大阪 | F Major | 1 | 7B | 80 BPM | ||
檄!帝国華撃団(「サクラ大戦」主題歌) | Kohei Tanaka, Japan Air Self-Defense Force Central Band, 水科克夫 | F Major | 5 | 7B | 134 BPM | ||
ポパイ・ザ・セーラーマン | Tokyo Kosei Wind Orchestra | A♭ Major | 9 | 4B | 77 BPM | ||
雨あがりの夜空に | Reichi Nakaido, Tokyo Kosei Wind Orchestra, 立花直樹 | E♭ Major | 8 | 5B | 140 BPM | ||
セントポール | Tokyo Kosei Wind Orchestra | C Minor | 8 | 5A | 150 BPM | ||
東京オリンピックファンファーレ・東京オリンピックマーチ | 今井光也, 古関裕而, Japan Air Self-Defense Force Central Band | E♭ Minor | 3 | 2A | 103 BPM | ||
Legacy of the Woods | Itaru Sakai, Tokai University Takanawadai Senior High School Wind Orchestra, Takao Hatakeda | D♭ Major | 2 | 3B | 141 BPM | ||
フロントライン~青春の響き~ | 松田彬人 | C Major | 3 | 8B | 166 BPM | ||
コンサート・マーチ「テイク・オフ」(1986年) | Japan Ground Self Defense Force Central Band | F Major | 2 | 7B | 76 BPM |