Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis made "Overture (Suite) No. 3 in D Major, BWV 1068: III. Gavotte I and II (arr. for violin and piano)" available on May 25, 2010. With this song being about 5 minutes long, at 4:33, "Overture (Suite) No. 3 in D Major, BWV 1068: III. Gavotte I and II (arr. for violin and piano)" by Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Takako Nishizaki Plays Suzuki Evergreens, Vol. 2". In this album, this song's track order is #10. In terms of popularity, Overture (Suite) No. 3 in D Major, BWV 1068: III. Gavotte I and II (arr. for violin and piano) is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Overture (Suite) No. 3 in D Major, BWV 1068: III. Gavotte I and II (arr. for violin and piano) by Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Tempestad en el Mar, RV. 570: III | Andante Baroque Consort | F Major | 3 | 7B | 192 BPM | ||
Concerto in G major: Largo | Georg Philipp Telemann, Hartmut Rohde, Georg Mais | G Major | 0 | 9B | 166 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Violin Sonata No. 5 In F Major, Op. 24, "Spring": II. Adagio Molto Espressivo | Ludwig van Beethoven, Jenő Jandó, Takako Nishizaki | B♭ Major | 0 | 6B | 81 BPM | ||
3 Romantic Pieces, Op. 75: III. Allegro appassionato | Antonín Dvořák, Gil Sharon, Idith Zvi | B♭ Major | 1 | 6B | 113 BPM | ||
Oboe Concerto No. 1 in D Minor: I. Allegro | Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend | D Minor | 1 | 7A | 134 BPM | ||
Boccherini: String Quartet in D Major, Op. 8 No. 1, G. 165: I. Allegro vivace | Luigi Boccherini, Quartetto Noûs | C Major | 3 | 8B | 80 BPM | ||
L'arabesque | Diane Hidy & Keith Snell | A Minor | 2 | 8A | 68 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 3 | 7B | 112 BPM |