"Mid-Winter (version for mixed chorus and piano)" by Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch had its release date on May 7, 2013. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 23 in Chilcott: Everyone Sang - A Little Jazz Mass by Bob Chilcott, Wellensian Consort, Christopher Finch. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Mid-Winter (version for mixed chorus and piano)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mid-Winter (version for mixed chorus and piano) by Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 1/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Pontificalis: Gloria | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | D Major | 0 | 10B | 86 BPM | ||
Lux Aurumque | Eric Whitacre, Eric Whitacre Singers | D♭ Minor | 0 | 12A | 72 BPM | ||
Abendlied Op. 693 | Calmus Ensemble | E♭ Major | 1 | 5B | 80 BPM | ||
7 Partsongs, Op. 17: No. 3, My Spirit Sang All Day | Gerald Finzi, The Graduate Choir, nz, Terence Maskell | G Minor | 2 | 6A | 71 BPM | ||
Tuttarana (Version for SATB Choir) | Reena Esmail, Notus, Dominick DiOrio | D Major | 1 | 10B | 85 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Under the Willow Tree | Samuel Barber, Birmingham Conservatoire Chamber Choir, Ben Kennedy, Paul Spicer | A Major | 1 | 11B | 76 BPM | ||
You Know Me | Kristina Arakelyan, Anna Lapwood, The Pembroke College Girls’ Choir, Joseph Beadle | C Minor | 3 | 5A | 176 BPM | ||
Ave Maria | Rebecca Clarke, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 1 | 8A | 140 BPM |