Blas Galindo, Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz's 'Homenaje a Cervantes (suite): Gavota - Museta - Gavota' came out on January 1, 1994. The duration of Homenaje a Cervantes (suite): Gavota - Museta - Gavota is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Homenaje a Cervantes (suite): Gavota - Museta - Gavota's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz's "Musica Mexicana Vol. 4" album is number 7 out of 11. In terms of popularity, Homenaje a Cervantes (suite): Gavota - Museta - Gavota is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Homenaje a Cervantes (suite): Gavota - Museta - Gavota by Blas Galindo, Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen: Act I: Prelude | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | A Minor | 3 | 8A | 128 BPM | ||
Marriage of Figaro | Jeff String | C Minor | 4 | 5A | 138 BPM | ||
Serenata | Enrico Toselli, Alfredo Kraus, Enrique Estela, Orquesta De Camara De Madrid | E Major | 3 | 12B | 167 BPM | ||
Sones De Mariachi | Blas Galindo, Orquesta Sinfónica Carlos Chávez | G Major | 1 | 9B | 84 BPM | ||
Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Op. 325 (RV 325) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | B♭ Major | 1 | 6B | 176 BPM | ||
Comentario #4 | Blas Galindo, Jaime Almeida | D Major | 5 | 10B | 201 BPM | ||
El Salón México | Aaron Copland, Leonard Bernstein, New York Philharmonic | G Major | 2 | 9B | 141 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
La Cenerentola: "Sì, ritrovarla io giuro" | Gioachino Rossini, Javier Camarena, Les Musiciens du Prince-Monaco, Gianluca Capuano | G Major | 3 | 9B | 65 BPM | ||
Vals Alejandra | Cuarteto Aires de Mexico | D Major | 1 | 10B | 188 BPM |