Georges Bizet, ライナー・ミーデル, Yomiuri Nippon Symphony Orchestra made "≪カルメン≫ 闘牛士の歌" available on July 18, 2018. The duration of ≪カルメン≫ 闘牛士の歌 is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. ≪カルメン≫ 闘牛士の歌's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 小学生からのクラシック 〜くるみわり人形/エリーゼのために〜, so we believe that "≪カルメン≫ 闘牛士の歌" is a single. In terms of popularity, ≪カルメン≫ 闘牛士の歌 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of ≪カルメン≫ 闘牛士の歌 by Georges Bizet, ライナー・ミーデル, Yomiuri Nippon Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
エリーゼのために | Ludwig van Beethoven, アンネローゼ・シュミット | A Minor | 0 | 8A | 147 BPM | ||
ミッション・インポッシブル組曲 | Danny Elfman, Lalo Schifrin, Royal Liverpool Philharmonic Orchestra, Carl Davis | C Minor | 7 | 5A | 120 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
白い巨塔 | Takashi Kako | A Minor | 3 | 8A | 95 BPM | ||
アイネクライネナハトムジーク K. 525 より第一楽章 | Wolfgang Amadeus Mozart, 弦うさぎ | A Major | 4 | 11B | 120 BPM | ||
エトピリカ / Etupirka | Taro Hakase | D Major | 3 | 10B | 82 BPM | ||
ミュージカル「レ・ミゼラブル」より | Claude-Michel Schönberg, 伊奈学園OB吹奏楽団 | F Major | 3 | 7B | 85 BPM | ||
ワルツ 第15番 | Johannes Brahms, アーサー・グリーン | A♭ Major | 0 | 4B | 137 BPM | ||
Le docteur Miracle: Scene 5: Venez ici Veronique (Le Podestat, Veronique, Laurette, Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | C Minor | 1 | 5A | 135 BPM | ||
剣の舞い | ソフィア交響楽団 | G Major | 6 | 9B | 94 BPM |