Wolfgang Amadeus Mozart, Norine Burgess, Viktoria Loukianetz, Robert Holzer, Herbert Lippert, Hungarian Radio Chorus, Kalman Strausz, Nicolaus Esterhazy Sinfonia, Michael Halasz's 'Mass No. 18 in C Minor, K. 427, "Great": Credo: Et incarnatus est' came out on September 1, 2007. Since Mass No. 18 in C Minor, K. 427, "Great": Credo: Et incarnatus est is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart's "Mozart: Mass No. 18 in C Minor, K. 427, 'Great' / Kyrie in D Minor, K. 341" album is number 11 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Mass No. 18 in C Minor, K. 427, "Great": Credo: Et incarnatus est is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Mass No. 18 in C Minor, K. 427, "Great": Credo: Et incarnatus est by Wolfgang Amadeus Mozart, Norine Burgess, Viktoria Loukianetz, Robert Holzer, Herbert Lippert, Hungarian Radio Chorus, Kalman Strausz, Nicolaus Esterhazy Sinfonia, Michael Halasz to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: II. Adagio | Wolfgang Amadeus Mozart, Sam Franko, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 96 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | ||
Concerto For 3 Pianos And Orchestra (No.7) In F, K.242 "Lodron" - Mozart's version for 2 pianos: 3. Rondeau (Tempo di menuetto) | Wolfgang Amadeus Mozart, Lucas Jussen, Arthur Jussen, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 136 BPM |