"Game of Thrones Theme" by Metamorphose String Orchestra, Pavel Lyubomudrov was released on December 18, 2020. The duration of Game of Thrones Theme is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Game of Thrones Theme's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Game of Thrones Theme and no other songs are present in the album, we classify this track as a single. Game of Thrones Theme is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Game of Thrones Theme by Metamorphose String Orchestra, Pavel Lyubomudrov to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | ||
Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Andrew Marriner, Jaime Martin, London Symphony Orchestra | G Major | 2 | 9B | 197 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
The Swan | Camille Saint-Saëns, Tina Guo | G Major | 3 | 9B | 125 BPM | ||
Come, Sweet Death | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra | E Minor | 1 | 9A | 87 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | E Major | 0 | 12B | 87 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Fauré Pavane | Gabriel Fauré, David Parry, London Philharmonic Orchestra | F♯ Minor | 1 | 11A | 83 BPM | ||
Chaconne in G Minor | Tomaso Antonio Vitali, Jascha Heifetz, Richard Ellsasser | G Minor | 4 | 6A | 80 BPM |