So FAR. Gone (From "the Fourth Phase")

Kaoru Ishibashi, Emily Hope Price, Kishi Bashi
The Fourth Phase (Original Motion Picture Score)
2:13 2016年12月9日
テンポ
76
キー
B♭ Minor
キャメロットミュージックキー
3A

リンクを埋め込む

共有

So FAR. Gone (From "the Fourth Phase") - Kaoru Ishibashi, Emily Hope Price, Kishi Bashi 情報

音響性
31%
ダンサビリティ
7%
エネルギー
4%
手段性
79%
活気
11%
ラウドネス
50%
話し言葉
5%
価数
4%
人気
ラウドネス
-30.054 dB

まとめ

"So FAR. Gone (From "the Fourth Phase")" by Kaoru Ishibashi, Emily Hope Price, Kishi Bashi was released on December 9, 2016. The duration of So FAR. Gone (From "the Fourth Phase") is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. So FAR. Gone (From "the Fourth Phase")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Fourth Phase (Original Motion Picture Score)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Austria. So FAR. Gone (From "the Fourth Phase") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

So FAR. Gone (From "the Fourth Phase") テンポ

With So FAR. Gone (From "the Fourth Phase") by Kaoru Ishibashi, Emily Hope Price, Kishi Bashi having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

So FAR. Gone (From "the Fourth Phase") キー

This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Receives by Keith KenniffReceivesKeith KenniffE♭ Major15B95 BPM
I Could Hear the Water at the Edge of All Things by HammockI Could Hear the Water at the Edge of All ThingsHammockE Minor39A77 BPM
Keep by Nils FrahmKeepNils FrahmA Minor88A167 BPM
Eris's Debt by Tristan BartonEris's DebtTristan BartonG Minor26A129 BPM
The Stars In Spring by Epic45The Stars In SpringEpic45F♯ Major62B118 BPM
Speed Limit by Dickon HinchliffeSpeed LimitDickon HinchliffeD Major410B110 BPM
I Know You Can Hear Me by Marcelo ZarvosI Know You Can Hear MeMarcelo ZarvosA Minor18A110 BPM
Updraught by Zoë Keating, Zoe Clare KeatingUpdraughtZoë Keating, Zoe Clare KeatingE Minor29A110 BPM
Endalok by HugarEndalokHugarA Minor28A75 BPM
Mysterium by HammockMysteriumHammockC Major18B77 BPM
ISRC
ATRG71632013
レコードレーベル
L-M Records/RCA Records